Nonchalant in the day,
the boy in the
pointillist suit
crosses the
Mathematical Bridge.
He has a book
in one pocket,
three letters
and a diary to mail.
He fails to
notice the sun-shocked face of a soldier,
the
mercenaries lunching by the hill.
Strolling a
lane, Duchamps and Rothko argue
over the
compromise of incantation.
It is, they
say, derivative of necromancy, of alchemy.
If Seurat
disagrees, he isn’t saying.
His mistress
is demanding more Bearnaise sauce, more song.
Barnett Newman
details a piece for them:
melded to a
Calvary stone
I see a clown
and a waterfall, a cliff diver off his line.
The demands of
nakedness and divinity
define us
today, if not tomorrow.
Death finds a
little corner in every work of art.
The boy’s book
is open and fluttering in the mineral winds.
One page is a
kingfisher; another is a pear.
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